Blitz & Shitz - All posts tagged 'vancouver international film festival'
Thursday, October 8, 2009

Xtra Xposed - Philip Lyall, Director, 65_RedRoses

Two Xtra Xposeds in one week? Girl you know it's true.

Here's why: it takes a community to propell an artist to national and international acclaim. Philip Lyall is a Vancouverite and his first full-length documentary, 65_RedRoses, is screening this year at the Vancouver International Film Festival. I believe in Philip's work and encourage all of you to catch one of the screenings of his film over the rest of the festival. For show times, check here.

1) Who the hell are you and what do you do?

My name is Philip Lyall and I'm a proud GAY filmmaker from Vancouver.

2) How long have you been involved in film?


My father is a television producer, so I've known about the business my whole life. I started as child actor where I found a love for performing in front of the camera. From there, I decided to attend film school at the University of British Columbia where I discovered my passion for making films and took more of a role behind the camera.

3) 65_RedRoses is screening at this year's Vancouver International Film Festival. How does it feel to have your movie showing in your hometown?

It's such a thrill! I am so proud to have my first feature documentary screening in my hometown at VIFF! Everyone I've ever known is attending the screenings and I feel so much support from family, friends and the medical community. They truly embrace the film!

4) 65_RedRoses is your first feature documentary film, which you co-directred, produced and edited. How long did it take you to make and how hard was it to wear so many different hats?

After I graduated film school in 2006, I was visiting Eva (the main subject of the film) regularly in hospital. When she told she had been placed on the transplant list for a set of new lungs, I called up my film school colleague Nimisha Mukerji. In May of 2007, we decided we had to shoot a documentary about her. We started filming in the summer of 2007 and completed post-production in February 2009.

In terms of the multiple roles I was juggling as co-director/producer/editor, it was psychotic yet liberating! I was basically in a marriage for two years with my partner Nimisha and it
was incredibly difficult. We both wanted the same thing but worked in very different ways. But I think when you finish making a film that you are really proud of and you know you've poured BLOOD, SWEAT and TEARS into it, it's in that moment you know you've produced something special.

5) In your mind, what's the appeal of the film? Why do you think it won the audience choice award for favourite Canadian documentary when it premiere at Toronto's Hot Doc's Festival last May?

65_RedRoses is a high drama film about young woman facing their own mortality. The stakes are high and the characters are bigger than life. Eva Markvoort is not only beautiful but utterly magnetic on screen. I think you know you have an amazing documentary subject when the individual begins to tell their story and the audience is so transfixed that you can hear a pin drop. The reason it did so well at Hot Doc's and connected with people is because it dealt with universal themes such as family support, friendship, and death. Since it's about
a girls journey through transplant, we hope every viewer is inspired to become an organ donor.

6) What is it like to be out in an industry where the majority of actors, directors and producers stay in the closet for the sake of their careers?

In my position as a director/producer, i feel it's a plus be openly gay. Being a "minority" works to my advantage! Whether it's a documentary subject or an actor, I believe i can connect with a wide range of subject matter that deals with pain and over coming certain obstacles because I had to deal with that in my own experiences. To a certain extent, I can sympathize and understand the characters situation and in turn I can tell a story that's full of insight and compassion.

7) How important are gay themes and gay content to your work?

I'm actually moving into gay content on my next project. I'm very interested in stories about young adults confronting for the first time their new found homosexual feelings. It's such a scary, exciting and emotional time and I think people need to see these stories in order for people to be sympathetic towards our situation.

8) Where can people catch 65_RedRoses?

You can catch 65_RedRoses at the Vancouver International Film Festival
  • Friday, Oct. 9th (1:45pm) at Vancity Theatre
  • Saturday, Oct. 10th (6:30pm & 9:30pm) Granville 7 Theatre
  • Tuesday, Oct. 13th (11:00am) Granville 7 Theatre
9) What's next for you?

I'm developing an 8 episode docu-drama series called "Homosexuals Anonymous". It's about the sexual re-orientation movement in the US.  Richard Cohen, a psychotherapist and the leader in gay reparative therapy, believes you can change ones same sex attractions back to heterosexual feelings. Very controversial and so fucking interesting!

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Tuesday, October 7, 2008

Tuesday Hotness: Coco Martin

**The second screening of Jay runs Wednesday, October 8th at 3:00pm in Theatre 5 at Empire on Granville - don't miss out on this great film**

Before we get to the hotness, I went and saw my final film as a reviewer at this year's Vancouver International Film Festival and was surprised by the quality and depth of the film. Despite the terrible sound and visual difficulties (this is the second screening I've been to this festival with movie-long technical difficulties), it's worth your time.

Directed and produced by Francis Xavier E. Pasion, Jay follows the story of a gay Filipino TV producer/reporter (played by Baron Geisler) who covers and exposes the murder of a young gay English teacher to his family. He then creates a news by documenting the life of a Pampanga family in the days following the murder. This is a slamming condemnation of sensationalist newsmakers told from a non-North American perspective. The cinematography is sharp and the film within a film construct works in Jay's favour.

Baron Geisler and Coco Martin (who plays the deceased's ex-boyfriend) deliver award worthy performances and this film works best when we are allowed to see their characters real lives unfold outside the context of the television show. Watching Geisler manipulate the grieving family is stomach turning at some points, but there is a counterpoint in the family's - particularly the mother's - foray into professional acting. Because of the reality TV guise, some of the scenes with "real" emotional outbursts caused snickers from tonight's audience, but that's to be expected. I was disappointed when the couple behind me laughed at an scene featuring an interview of a teenage boy wearing make-up - a scene where neither the dialogue nor context was funny. Tolerance still has a long way to go, people...

Coco stole the show for me. Here's a blurb from Wikipedia:

Coco Martin is an actor from the Philippines. He has appeared in several TV commercials before breaking into showbiz with his debut film Masahista (Masseur) which won him the Young Critics Circle Best Actor Award in 2006. He is also a member of the boy-group The Studs

The Studs, eh? I salute any man who is comfortable enough to use a jockstrap shot as his primary promotional picture...in fact, I'm getting ideas...



 


Sunday, October 5, 2008

Reminder: Jay screening tomorrow evening

 

I'll be seeing another queer content entry at the Vancouver International Film Festival tomorrow (6pm at Granville 7). Here's the plot summary:


 
Jay
(Philippines, 2008, 96 mins)
North American Premiere
 
Directed By: Francis X. Pasion
PRODS: Francis X. Pasion, Ronald Mangubat
SCR: Francis X. Pasion
CAM: Carlo Mendoza
EDS: Francis X. Pasion, Kats Serraon, Chuck Guttierez
Cast: Baron Geisler, Coco Martin, Flor Salanga, Angelica Rivera, Jericho Espiritu, JC Santos

Francis Pasion’s debut feature took the Best Film and Best Actor prizes at the Cinemalaya Festival in the Philippines, and there’s no doubt that it heralds a distinctive new voice in Filipino movies. The first voice we hear, though, is the woman narrator of the Channel 8 show Dearly Departed Ones, a "reality" program which brings out the soap opera in a family’s reactions to a sudden death. She takes us to a village in Pampanga, on Ash Wednesday, 2008, to a humble house that was half-buried by the eruption of Mount Pinatubo, and introduces Luz Mercado as she wakes early, little suspecting the terrible news she’s about to hear on TV: Luz’ eldest son Jay, a schoolteacher working in Manila, about to take up a lucrative post in Baltimore, has been stabbed to death in an apparent gay sex-crime.

Here's the trailer:


Thursday, October 2, 2008

The Meat Street Beat: Ratatat ... Chainsaw Maid...and a review of the "Thank You" Girls...

Did anyone else hear what sounded like a shotgun firing in the West End around 10:30 pm last night?

While you ponder that, here's "Shempi" from Ratatat:

 
This is really the type of video to get you thinking about life's great rhetorical questions, like:
 
♥Dear Agnetha, it's me, Sean...can you hear me?
 
♥Did a shotgun really just go off?
 
♥Why is Ratatat bringing Shemp into this after all these years? Jesus...leave the dead in peace already
 
♥Is there such a thing as a Bjorn Benny? Should I ask for one at the Elbow Room?
 
♥Why do I always have the urge to put my hands up in the air and throw em around like I just don't care? 
 
 
MOVIE REVIEW
 
Wednesday's screening of The "Thank You" Girls at Vancity Theatre was interesting. Emphasis on the "rest". I thank you.
 
It was the first international screening of the film, which speaks to the Vancouver Film Festival's reputation as a stomping ground for new global cinematic talent. Much like with certain selections from the Vancouver Queer Film Festival, I've found that with some foreign films, there is disconnect between cultural interpretations of what's funny and what's not funny.
 
in the case of The "Thank You" Girls, I felt that the claymation short that preceded the main film, was actually better (in execution), than The "Thank You" Girls. The claymation was titled Chainsaw Maid and it turns out that I found the whole thing on YouTube. Please watch:
 
 
Now if you didn't laugh at that, something must be right with you. Way too right.
 
As for the main film, it was shot as a documentary, but with actors. So sort of like The Hills. If you like that TV show, you may like this film. In it, we follow the stories of a gaggle of transvestite and transgendered Filipino beauty pagent performers as they tour the Philippines trying to win first place at the many beauty pagents of "The Third Kind." The documentary flavour is strengthened by the ensemble, most of whom have never acted before and were pagent regulars (much like the film depicts).
 
Is this a coming of age story between a father and son? Is it a love-gone-wrong tale between the father and his jilted boyfriend? Is it a tale of exploitation and sexually abused teenagers? Is it a comedic tradgedy depicting the hard life of transgendered boys and men?
 
To be honest, I'm not sure because it felt like all of these things...and then none of these things...with a couple scenes stolen from Priscilla Queen of the Desert thrown in just to give it an ooh-la-la gay twist. In my opinion, it tried too hard to be too many things. I questioned why the director included certain scenes (where dialogue and action failed to contribute or move the plot of the movie forward or introduce any conflict between the characters). Several scenes were repeated at different times throughout the film, sometimes without using a different camera angle. Again, I'm not sure if this repitition added anything of value to film, especially since the plot was so hard to follow in the first place, or if the repitition was there just to make the film longer.
 
If you have an opportunity to see this film in the future, the performances of the actors salvage some of the concerns I listed above. It is also an interesting snapshot of life in the Philippines. If you want my reccommendation: say no thank you to The Thank You Girls ... 

Thursday, October 2, 2008

More about CBC and gays holding hands in public in Vancouver...and ta-da: Bacon man

Remember that segment I did on CBC radio's The Early Edition yesterday morning? Seeing as it was at 6am, I sorta do.

Let me tell ya, I was so nervous in front of the microphone that I couldn't sit still and apparently it was so bad, that the host had to stop the taping to tell me to stop swinging around on my chair like some sort of gay monkey. Okay. Rick Cluff didn't say gay or monkey, but you get the idea of how wound up I was...

Here's the clip: Holding Hands.mp3 (7.32 mb) (byline: Rob Easton/Sean Horlor)

As you can see by the byline, I did this segment with my friend Rob Easton, who is an associate producer with CBC. He's an amazing guy, couldn't think of a better friend to hold hands with all afternoon in different parts of Vancouver.And as my first time on radio, I think it went pretty well.

I also went and saw The Thank You Girls tonight. I'm gonna take a day and then post a review tomorrow.

In the meantime, enjoy Bacon Man:


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